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Ryan Eckert’s structural abstractions explore ideas about the state of splitting worldviews, depicted through the lens of biblical Christianity. Eckert’s works in his exhibition:“Two Worldviews” presents the clashing of ideals to the point of hostility through the means of deconstructing nonrepresentational forms, lines, and structures. The internal process of coping with the outrage within modern culture is displayed within each canvas. Each layer of his canvas reacts to the next, a process which leaves the works both chaotic and restful in moments, becoming a parallel to navigating the living world. His surfaces range in complexity, allowing mark making to be heavily thinned and layered, or bold and instantaneous. Paint, markers, and paper are used purposefully throughout the paintings. Each medium is necessary to and inseparable from its surface, which creates the dynamic, yet playful tension that is explored through the vast ethereal voids of his canvases.