by jfawcett | Feb 10, 2014
This sculpture is the third bear portrait by a third artist in the St. Louis area (Robert Cronbach and Victor Holm created the two bear sculptures in front of the Peabody Opera House at 15th Street and Market Street). The donor, who was a trustee of Washington...
by jfawcett | Feb 10, 2014
Cragg’s sculptures vary tremendously in material and thus appearance. However, his careful investigations of the unique properties of materials, no matter the media, are a consistent theme throughout his work. The product of this sensitivity is sculpture that...
by jfawcett | Feb 10, 2014
Trova’s Profile Canto series evolved from his Falling Man series, which became increasingly blossom-like. The more organic Profile Cantos are composed of round, metal petal forms. The sharp projections and sweeping curves of the Profile Canto series seem to...
by jfawcett | Feb 10, 2014
Lassaw’s contribution to the advancement of sculptural abstraction went beyond mere formal innovation; his promotion of modernist styles during the 1930s did much to insure the growth of abstract art in the United States. He was one of the founding members of...
by jfawcett | Feb 10, 2014
This piece is one of several abstract minimal sculptures designed by staff of the college’s art department. The work was fabricated at the Forest Park campus and placed on the Meramec campus. Dimensions: 6’1″ Year Completed: 1979 Material: Steel...
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