by jfawcett | Feb 17, 2014
Seventy feet long, thirteen feet wide and following the contours of an uneven slope in Laumeier’s Way Field, Robert Stackhouse’sSt. Louie Bones creates a rippling silhouette on the Park’s landscape. Conceptually modeled by the presence of our two powerful...
by jfawcett | Feb 17, 2014
Her “nana” sculptures explore the various roles of women and celebrate the bodies of females and children. The interactive sculpture Ricardo Cat resembles these “nana” scultpures and takes the form of a colorful, whimsical cat. It doubles as a playhouse...
by jfawcett | Feb 17, 2014
Trova’s Profile Canto series evolved from his Falling Man series, which became increasingly blossom-like. The more organic Profile Cantos are composed of round, metal petal forms. The sharp projections and sweeping curves of the Profile Canto series seem to...
by jfawcett | Feb 17, 2014
Trova’s Profile Canto series evolved from his Falling Man series, which became increasingly blossom-like. The more organic Profile Cantos are composed of round, metal petal forms. The sharp projections and sweeping curves of the Profile Canto series seem to...
by jfawcett | Feb 17, 2014
The Poet series is characterized by simplified black steel forms. The figure that represents the Poet is often so abstracted as to be almost unrecognizable. Trova presents the Poets not as specific people, but rather as person-sized monoliths. Their identity as...
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