by jfawcett | Feb 12, 2014
Ford creates playful and disturbing hybrid creatures. Part human and part animal, they are developed through observation of her own children and recollection of her feelings growing up. As a child, she was introduced to the world of sideshows and fairgrounds. It had...
by jfawcett | Feb 12, 2014
The tale of the little wooden puppet named Pinocchio has interested Dine for much of his life. Dine has executed drawings, sculptures, and paintings of Pinocchio, making the wooden boy come to life through his creations, much like Pinocchio’s fictional creator...
by jfawcett | Feb 12, 2014
In Big Suit, Wurm magnifies a pink business suit to immense proportions (what would correspond to a size 144 in the US) but omits the body inside. His sculptures often focus on a single figure or body in a way that focuses all attention on the figure. Additionally,...
by jfawcett | Feb 12, 2014
In Aesop’s Fables, industrial I-beams are welded, bolted and painted red in a straightforward composition that joins together the interlocking v’s that make up one end, with the curvilinear cluster at the other. The title refers to a collection of fables...
by jfawcett | Feb 12, 2014
Her “nana” sculptures explore the various roles of women and celebrate the bodies of females and children. The sculpture Adam and Eve is a prime example of this sculptural style, painted with decorative patterns and referencing the biblical story of humanity’s first...
Follow Us On Social Media